The Advantages of Using Session Musicians on Your Songwriting Demo

Why do professional recordings sound, well…professional? There are a number of reasons including high quality microphones, pre-amps, an experienced engineer and a well-designed studio space. But one of the single most important elements in a great-sounding, professional recording is the performance of the session musicians. There is a reason that the job of the session musician exists. It’s these musicians whose talent and studio experience contribute in a major way to the polished sound of a recording. Because there are different rules that apply when you’re recording an artist demo, I'm going to limit the scope of this article to songwriting demos specifically.

Shouldn’t I Be Able To Do This Myself?

While I am a big proponent of wearing as many hats as you can in your musical career, there are certain areas where it makes much better sense to rely on experts. First of all, it’s extremely important that you take ego out of the equation. There is no shame in having someone else play on your demo. Remember that a songwriting demo is supposed to put your song in the best possible light in order to “sell” it to prospective artists or place it in films and TV shows. It is not supposed to be proof of your studio musicianship. Recording your instrument in the studio requires an entirely different skill set than playing live. For lack of a better description, studio recording is more like music surgery than a musical performance. While you might be comfortable playing guitar in your living room or even on a stage in front of hundreds of people, it’s an entirely different ballgame to sit in a four by six-foot booth wearing headphones and listening to a clicking sound. Giving a note-perfect, dynamic and in-time performance in this kind of unnatural setting requires a special set of skills.

Isn’t It Cheaper if I Do It Myself?

Given that we all have to keep an eye on the bottom line when it comes to our recording budget, there is the temptation to save money by playing on the demo yourself. The problem with this method is that often it will take an inexperienced musician twice as long to get a viable take as it would a pro. One of the many advantages of using session musicians is that they are not only good at what they do but fast. In other words, the price you pay to hire a session musician translates into savings on studio time compared to playing the part yourself. Being fast in the studio is useful for another reason as well. When a session bogs down with take after take, it starts to feel a lot more like work. When things go quickly and smoothly, they stay musical and fun. Don’t discount the need for a session to stay enjoyable. My experience has been that everyone does his or her best work when the atmosphere in the studio is light and productive.

Great Expectations

When it comes to recording a demo, it’s essential that you keep your listening audience in mind at all times. In the music industry, there is a certain level of “polish” that record labels, publishers, managers and producers have come to expect from the demos they listen to. By bringing in the same musicians that play on hundreds of songwriting demos and major label record projects, you’ll be giving these industry types what they’re used to hearing. We’ve all heard from time to time industry professionals say that they can “hear through” your rough recordings. My recommendation is NOT to take that chance. You’ve only got one opportunity to make a first impression and you should give yourself every advantage. Also, even if there is one industry professional willing and able to hear through a rough recording, you’ll hopefully be pitching this song to a number of industry people many of whom will be expecting a professional sounding demo.

The Care and Feeding of Session Musicians

When it comes to working with session musicians, there are a few things to keep in mind. First of all, if you’re not comfortable writing out a chord chart, professional session musicians are perfectly capable of listening to your rough recording (also known as a work tape) and writing out their own charts. For them, charting is quick process that should take no longer than 10-15 minutes at the most. Then, when it comes time for the musicians to play, always suggest that they try it their way first. There are two reasons for this. First of all, you’ve hired them to make your demo sound great so you should give them a chance to go with their instincts before you offer any direction. Secondly, by letting them do what you’ve brought them in to do with a minimum of interference, you’ll create goodwill that will go a long way towards the overall vibe in the studio. In almost every case, what the session musicians come up with will be better than you ever expected. HOWEVER, if you’re still not getting what you want after they’ve tried it their way, you’re 100% entitled to politely ask them to try it the way you were hearing it. The ONLY appropriate response from a session musician to your request is “absolutely.”

Conclusion

It can be intimidating to work with such talented musicians, but remember, they’re working for you! One of my favorite expressions is “the best ones have nothing to prove.” In other words, when you hire pros not only will they be great at what they do but they should be a pleasure to work with as well. There is no reason to hire even the best session musician if they have a bad attitude. This is extremely rare but if it happens, I’d recommend never using that musician again. There are way too many wonderful, friendly and talented session musicians out there to ever settle for one with a chip on their shoulder.

If you’re not in a major music city like New York or Nashville but still want to use the best musicians those cities have to offer, it just so happens that I have a way of helping you do exactly that.

Finally, if you’ve never used a professional musician on your songwriting demo, do yourself a favor and try it out. You’re in for a treat and you’ll end up with a great demo.

Cliff Goldmacher is the owner of two successful studios, an accomplished songwriter, session musician and a regular contributor to EQ Magazine and Pro Sound News. He can be reached at cliff@cliffgoldmacher.com.

Comments

[Michael Lewis]

Great stuff! I have stories from many years as a producer/engineer about the truth of this article. One other fact to be aware of is that a lot of session work is being done over the internet these days. You can now hire session musicians in their own studio and save a ton of money on studio time. It also enables producers to multi-task. A session player can be cutting guitar parts at his own studio for one song, while the producer is arranging strings for another tune at his studio.

Thanks for the article!
Michael Lewis
Session Guitarist
myspace.com/sessionguitarist

[Master Cylinder]

Hi! I just signed up here after being ripped off my SNOCAP's shoddy non-performance. Even by looking at what your website has to offer before getting to the main page I can tell it will be a much better experience.

Jim recorded some music in 1979 and by and large it has not seen the light of day in the musical world. I am looking forward to getting him the fame and recognition he deserves.

Thanks for your website!

L. Houde
Master Cylinder

[thekReata]

Thanks for the post

[Brian]

Great article, I totally agree with what you say about hiring professionals. I was blessed with a coincidence that led to me having Omar Hakim, the legendary drummer, play on my recording.

Omar came in, listened to the songs once, and then nailed the recordings. Of the three songs we recorded with him, two were first takes and the other was a second take. His playing enhanced the final product in ways I couldn't have foreseen. Worth every penny!

You can hear the final results at Bbelief.com

[gerald walker]

Thanks a lot! Great Contribution...dooley noted!

[Gavin James]

I'm a believer. I recently start using a website called Studiotraxx.com that I found via a Tunecore contest. This site provides access to thousands of studio session musicians from all over the world that will work on your song from wherever they are. Of course, you have to pay them but nobody good works for free! I created a project, found some musicians I liked, requested some quotes, and voila - 1 week later I had killer horns on my song! Very cool.

[dudah doh]

This Tunecore stuff is very very slow in putting songs to Apple+iTunes and other digital stores!!! CDbaby can make it happen in less than a month and NO yearly fee!!! I shouldn't have sign up!!!!